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Vol. 27 - Great Jazz Standards: Jazz Play-Along Series (Jazz Play Along Series)
Vol. 27 - Great Jazz Standards: Jazz Play-Along Series (Jazz Play Along Series)

Paperback
Publisher: Hal Leonard
Release Date: 2004-02-01
ISBN-10: 0634068199
ISBN-13: 9780634068195
List Price: $14.95
Average Customer Rating:
Score = 5.0 Score = 5.0 Score = 5.0 Score = 5.0 Score = 5.0
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Summaries and Customer Reviews are supplied by Amazon.com

Summary:
For use with all Bb, Eb and C instruments, the Jazz Play-Along Series is the ultiimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues and other split-track choices on the included CD, this first-of-its-kind package makes learning to play jazz easier than ever before. FOR STUDY, each tune includes a split track with: * Melody cue with proper style and inflection * Professional rhythm tracks * Choruses for soloing * Removable bass part * Removable piano part. FOR PERFORMANCE, each tune also has: * An additional full stereo accompaniment track (no melody) * Additional choruses for soloing. 10 songs: Fly Me to the Moon * Girl Talk * How High the Moon * I Can't Get Started with You * It Could Happen to You * Lover * Softly as in a Morning Sunrise * Speak Low * Tangerine * Willow Weep for Me.

Customer Reviews
Average Customer Rating: Score = 5.0 Score = 5.0 Score = 5.0 Score = 5.0 Score = 5.0

Just as advertised
Customer Rating:  Score = 5 Score = 5 Score = 5 Score = 5 Score = 5
This book is exactly what it claims to be. 10 tunes and 21 CD track (includin tuning notes). The book is a fake book with all ten tunes. The lyrics for all tunes are given at the end, otherwise there is no text. The book is in three parts, first a fake book with all tunes for C-instruments, then for Bb instruments and then for Eb instruments.

On the CD each tune is recorded twice. The first recording (split track/melody) is with a solo instrument and typically runs like this: First with a solo-instrument playing the tune once, then one repetition of the backing without the solo instrument, so you may solo, and then the solo instrument returns for the last repetition of the melody (no improvising). It is possible to remove bass or piano by turning down volume on one of the channels, but I have had no need for it, and my stereo does not allow it. The second recording (full stereo track) is the same backing, but with no solo-instrument.

I found this a perfect companion to learning these tunes.

My main complaint is: while the tempo is fine when I have learned the tune and am familiar with the chords and arpeggios, it is too fast in the inital stage until I become familiar with the tune. I solved this problem by ripping the CD and use software to reduce the tempo without altering the pitch and use a 20% slower version in the beginning. I would have preferred the first track to be slower, but those who want to use that track for practicing comping may have other preferences. The first track is also intended as a "learning tool for melody style and inflection". I'd prefer a version closer to the written melody and later use my favorite recodings for ideas about style and inflection, but that is also a matter of taste.

I use these books a lot and love them (I own vol 27 too). Excellent value for the money, highly recommended.

























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