Selected Product: | The Americans Hardcover Edition: Revised Publisher: Steidl/National Gallery of Art, Washington Release Date: 2008-06-01 ISBN-10: 386521584X ISBN-13: 9783865215840 List Price: $39.95 Average Customer Rating: | | The Photographer's Eye ISBN-10: 087070527X ISBN-13: 9780870705274 List Price:$24.95 Paris ISBN-10: 3865215246 ISBN-13: 9783865215246 List Price:$45.00 Helen Levitt ISBN-10: 157687429X ISBN-13: 9781576874295 List Price:$60.00 William Eggleston's Guide ISBN-10: 0870703781 ISBN-13: 9780870703782 List Price:$39.95 The New West: Landscapes Along the Colorado Front Range ISBN-10: 1597110604 ISBN-13: 9781597110600 List Price:$45.00 |
To use our price comparison to get the cheapest price, please click on the "Find the Cheapest Price" button located above for The Americans by 0 (ISBN-10: 386521584X, ISBN-13: 9783865215840). At this time we have not yet written a review for The Americans by 0 (ISBN-10: 386521584X, ISBN-13: 9783865215840). Please continue to keep checking back to this page as we are constantly adding reviews. Summaries and Customer Reviews are supplied by Amazon.com In 1958, the first edition of Robert Frank's The Americans was published in Paris. Les Americains contained Frank's 83 photographs in the same sequence as all subsequent editions, with the image on the right hand page, but juxtaposed with historical texts about American society and politics, gathered by Alain Bosquet. The following year, in the first American edition, the French texts were removed and an introduction by Jack Kerouac was added. Over the subsequent 50 years, The Americans has been republished in many editions, in numerous languages, with a variety of cover designs and even in a range of sizes. It is the most famous photography book ever published, and it changed the face of the medium forever. Robert Frank discussed with his publisher, Gerhard Steidl, the idea of producing a new edition using modern scanning and the finest tritone printing. The starting point was to bring original prints from New York to Gottingen, Germany, where Steidl is based. In July 2007, Frank visited Gottingen. A new format for the book was worked out and new typography selected. A new cover was designed and Frank chose the book cloth, foil for embossing and the endpaper. Most significantly, as he has done for every edition of The Americans, Frank changed the cropping of many of the photographs, usually including more information. Two images were changed completely from the original 1958 and 1959 editions. Robert Frank, not Jack Kerouac | Customer Rating: | contrary to what is listed, The Americans is by Robert Frank, the photographer. the photos are timeless and i still use them to teach photography to college students jack kerouac only wrote the forward. set the record straight for non-photographers. thank you. | iNTERESTING | Customer Rating: | | Excellent print quality.. A glance at common people in random daily-life shots. It's a book worth a place in your hands | It's not by Jack K. | Customer Rating: | This book was not by Jack Kerouac. It's by Robert Frank. It's one of the seminal books in the history of photography. Many see it as a hate letter to America, but that's a shallow reading of the book. It's some of the best documentary done by a non-documentarian of the American culture of the period. If you really want to see great photography with a point of view, this is a good start.
I find lots of listings get authorship wrong when the book is about a photographer's work. Amazon needs to fix this basic flaw in their system. | The definitive "The Americans" | Customer Rating: | We're lucky to have this edition. Robert Frank is an old man with health issues now. That he is healthy enough to oversee this work is wonderful. Everything about this edition - especially in comparison to the 2007 Delpine edition I purchased earlier this year - is first-rate. I wish I had known this was coming out!
The book is a little smaller than the Delpine, but that's the only real negative (if it is one) I can think of. The main thing to me is that the photos themselves are how Frank intended them to look. Gone are the overly-lightened faces that plague the Delpine book. This is a pet peeve of mine that kills many photos in this Photoshop age. This is very obvious in the New Orleans trolley photo. In the Delpine work, the faces of the white passengers are totally washed out, and the black faces are awkwardly lightened (someone apparently thought they were helping Frank's work). That's all corrected here. In this Steidl edition things are shown as they were intended. One can even see details in the face of the man at far left, even though it is partially obscured by a window reflection.
Also, on several photos more of the frame is visible. This was most noticeable to me in the Butte, Montana photo of the woman looking out the car window, with several children in the back seat. A good portion of the left side of the photo is now visible, along with more shown on the top and bottom. The new crop just seems more "right." Not too mention that the face of the child in the middle of the photo is too light in the older edition.
Simply put, comparing the two editions is an eye opener. I first saw these photos years ago in a much earlier edition (I believe it was the 1969 Aperture work) and I still marvel at the depth of the images in that printing. I don't have that edition in hand, so I can't do a direct comparison, but I believe the Steidl images are much closer to that ideal. Franks prefers his images a little on the flat, low-key side. Another difference is that the photos are now printed on a non-glossy paper. I was surprised at this at first, but now I believe it works much better for this book.
In short, if you want an accurate, lovingly-printed edition of The Americans at a reasonable price, this is the one. Highly recommended. | Black and White and Grey | Customer Rating: | | Looking at this again after many years ( I first came across it about 25 years ago) the images are as poignant as ever. This is truly a great book of photographs and is perhaps the best photojournalist's collection ever published. The new edition has all the gravity and attention to detail that the work deserves. |
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