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Summaries and Customer Reviews are supplied by Amazon.com
A powerful tale of the Pacific Northwest in the 1950s, reminiscent of To Kill a Mockingbird. Courtroom drama, love story, and war novel, this is the epic tale of a young Japanese-American and the man on trial for killing the man she loves.
Fell in love with it
| Customer Rating:  | | It seems that Guterson has several types of readers for this novel. There are those who come to it for the sake of the place. (And what a beautiful place it is.) There are those who come to it for the sake of the period in history. (And what a wrenching, fear-driven time it was....) And there are those, like me, who come for the weaving of the tale. The story is masterfully told, and I absolutely loved rain as a motif in this novel. It's a book that made me question whether I could ever be a novelist; if I can't write as well as Guterson, I don't want to write at all. |
unforgettable
| Customer Rating: | | For years I almost picked this book up, and finally did this year. I had just completed a dud of a thriller, Joe Hill's Heart-Shaped Box and was looking for something intelligent with a good reputation. I bought Snow and I couldnt put it down. A story so well thought out and developed, I wished I had bought it years before. I'm not big on courtroom novels (which is why I always passed on it), but this novel is so much more than that. In Ishmael, Guterson has wrought one of the most human, heart-aching genuine characters in recent memory. Bravo! |
An interesting book
| Customer Rating:  | What I enjoyed most about this novel was Mr. Guterson's facility with descriptive language. I just loved the snow storm--though I also thought he had his characters moving around in it entirely too much--and I liked his casually elegant way of getting into his characters' heads and hearts to explain their histories.
So why only 3 stars? Because I was ultimately unconvinced by the book. By that, I mean that he wasn't as successful as he should have been in intertwining the book's themes of war, family, and racism (especially the latter). By the time the book ended, I didn't much care about the outcome. That's why I wasn't bothered by its truncated, too easy ending. The event that facilitates the ending was extremely contrived, and even drawn out too much.
Mr. Guterson has some serious talent, though. This book just didn't awe me as much as I thought (based on other reviews) that it would. |
"Let Fate, Coincidence and Accident Conspire; Human Beings Must Act on Reason..."
| Customer Rating: | The clearest thing I'll take away from my reading experience of "Snow Falling on Cedars" is simply how fast it took me to race through it. I like to take my time reading books - especially if I find them enjoyable - but I found myself speeding through the chapters of David Guterson's debut novel at an alarming rate. It was nearly impossible to put down thanks to the clear yet sophisticated prose, the intriguing and well-paced "whodunit" aspect of the story and the slow unraveling of both the minds and motivations of the characters, which is exceptionally well done. So yes, I definitely recommend this book!
When the novel first opens, we are introduced to a range of people living on San Piedro, an isolated island in the Pacific South-West. All somewhat enigmatic at first - to the reader, as well as each other - we are gradually drawn into their lives, childhoods, relationships and personalities, as the community is drawn together over a particularly controversial murder case. Kabuo Miyamoto is on trial for the murder of the well-respected fisherman and war veteran Carl Heine, due to bad-blood between the two men, and the fact that Miyamoto was (by his own admission) the last man to see Heine alive, out on his fishing boat.
But it soon becomes clear that there is more to this trial than first appears: it is the anniversary of the bombing of Pearl Harbour, and there is an unspoken assumption that Miyamoto's Japanese heritage jeopardizes his chances of being acquitted. A large pile of evidence speaks out against Miyamoto, and his stoic demeanor does not help matters either, despite fighting on the side of the Allies in the War. From this starting point, Guterson draws in a wide range of characters related to the case: wives and family members of both the accused and the deceased, lawyers, witnesses, community members and figures from the past. Most prominently is the character of Ismael Chambers, a journalist investigating the case, who has his own particular link to Miyamoto - or rather, Miyamoto's wife Hatsue, a young woman who in her teenage years chose duty to her people and culture over a love affair with Ishmael. Embittered by her rejection and his experiences in the war, Ishmael cuts himself off from the people around him. Yet Ishmael discovers certain facts pertaining to the case that have a tremendous bearing on its outcome - should he choose to share them.
Guterson draws on the racial hysteria against Japanese-Americans during World War II, and the American government's decision to force Japanese citizens into interment camps for the duration of the War as the historical background for this novel. All over the island of San Pierdro runs distrust and suspicion, as well as bitterness in many Japanese families for the lack of support shown by their neighbours during their deportation to the mainland, and the fact that when they returned home, their lands and jobs had been lost. The main irony of the piece is of course that Carl Heine himself is of German descent, and therefore just as worthy (or rather, unworthy) of suspicion and prejudice as any Japanese citizen on the island.
It seems a shame to give away too much of the tapestry of relationships, prejudices and intrigues that go on in the small island community, as most of the enjoyment derived from this novel is discovering and sorting them out by yourself. There's always more than meets the eye to every single character, and no one is entirely faultless, nor entirely innocent during their lifetimes. Most poignantly of all is the theme of `chance versus choice' that runs throughout the story. Whether it be the war, a particularly nasty snow-storm or other impersonal forces, all of the characters are seemingly thrown to the winds of fate. When entities like prejudice and racism become so large that they cloud judgment and become a way of life, what hope do individuals have to overcome them? Guterson attempts to answer this question through the use of the courtroom drama and the personal lives of his protagonists, and manages to make the answer both optimistic and bittersweet, particularly in his final paragraph.
There are only two more things I need to note: first that San Piedro itself is brought to life through Guterson's poetic-prose, which is as beautiful as you'd expect from a book titled "Snow Falling on Cedars." The island becomes a character in its own right, in all its natural beauty: the scent of the cedar trees, the vast strawberry fields, the markets and enclosed houses - it's all there. Second is the characterization of Hatsue Miyamoto, who is potentially the most intriguing and important figure in the entire book. Guterson has no trouble characterizing a member of the opposite sex, and Hatsue holds a fascinating place within the novel, as a young woman caught between her regard for the white Ishmael and her loyalty to her own culture and upbringing. As a young girl she struggles with her appearance and her restlessness, and even though she manages to find a sense of serenity in her adulthood, we get the sense that she will always be striving between her desire to be an individual, and to take what is deemed her rightful place in her culture's society. Even though she does breaks Ishmael's heart during the course of the story (disrupting what many would consider a classic "star-crossed" romance), yet we are never led to despise her for this - in fact, we sympathize with her decision and understand it. In short: she's wonderfully complex and layered - much like the rest of this novel. |
An interesting examination of the human soul
| Customer Rating: | | Compelling and hard to summarize, this book struck me most for its amazing organization and its beautiful prose. Set on a fictitious Island, this book examines post WWII prejudice against Japanese Americans, covers a murder trial, and examines love and passion. The only fault I had with it is that at some times the descriptions of the things going on in the book struck me as a bit perverse. |
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