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We don't usually associate thriving queer culture with rural America, but John Howard's unparalleled history of queer life in the South persuasively debunks the myth that same-sex desires can't find expression outside the big city. In fact, this book shows that the nominally conservative institutions of small-town life—home, church, school, and workplace—were the very sites where queer sexuality flourished. As Howard recounts the life stories of the ordinary and the famous, often in their own words, he also locates the material traces of queer sexuality in the landscape: from the farmhouse to the church social, from sports facilities to roadside rest areas.
Spanning four decades, Men Like That complicates traditional notions of a post-WWII conformist wave in America. Howard argues that the 1950s, for example, were a period of vibrant queer networking in Mississippi, while during the so-called "free love" 1960s homosexuals faced aggressive oppression. When queer sex was linked to racial agitation and when key civil rights leaders were implicated in homosexual acts, authorities cracked down and literally ran the accused out of town.
In addition to firsthand accounts, Men Like That finds representations of homosexuality in regional pulp fiction and artwork, as well as in the number one pop song about a suicidal youth who jumps off the Tallahatchie Bridge. And Howard offers frank, unprecedented assessments of outrageous public scandals: a conservative U.S. congressman caught in the act in Washington, and a white candidate for governor accused of patronizing black transgender sex workers.
The first book-length history of the queer South, Men Like That completely reorients our presuppositions about gay identity and about the dynamics of country life. From a Current Mississippian | Customer Rating: | | I had to write a short review on this book. Seeing as I am a current (and lifelong) gay resident of Mississippi, I was delighted to find a history of the places that I frequented during my youth. The book is titled after a line in the movie "Ode to Billie Joe," which was based on the song of the same name by Bobbie Gentry. I of course, remember this song and how all of us speculated on exactly what was thrown off the Tallahatchie bridge. I have a really special(?) memory of the movie, because it was the first time I ever took a girl on a date, and lo and behold, it was a movie about a gay man in Mississippi. (Did anyone ever ever think that the song or the movie might be about being gay in Mississippi?) Talk about irony. I may be somewhat prejudiced about it but I really believe that this book was written not just as a history of the gay experience in the South, but as a pointed evaluation of what has actually changed regarding homosexual life in Mississippi. There have been a number of books detailing the gay experience in Mississippi lately (Mississippi Sissy is the first one that comes to mind), but this one is a real history of what has happened to gay Mississipians in the last 40-50 years. I especially loved the detailed investigations into the experiences of Jon Hinson and Bill Allain. And I want to thank John Howard for bringing to the fore the modern institutions and expressions of gay life in Mississippi. The majority may hate us, but we're here and we're still queer. | Intriguing and Attention Keeper | Customer Rating: | | Men Like That is a wonderful book about Mississippi gay history. It is written by Dr. John Howard, whom himself is a gay Mississippian. Dr. Howard delves into history of gay Mississippi, something even gays in Mississippi have no idea exists, providing a sense of pride in our own community that no other person, author or otherwise, has been able to do, or tried to do. Often is the case, the Southern states are overlooked in their roles in gay history. It took a gay man from Mississippi, to bring to light Mississippi gay history. Thank you Dr. Howard. | An interesting yet mired analysis | Customer Rating: | Having spent a portion of my youth in Mississippi, I was certainly interested in the notion of a study devoted entirely to the state's gay 20th century history. Unfortunately, I felt that the book lacked focus and organization in the presentation of material. Sub-headings of the book began focused but digressed into unrelated topics. The shifting of person was bothersome as well. In first person, the book was intimate. In third, it was analytical. Swinging both ways jarred the flow terribly. Howard seemed bound by awkward ... All told, the subject material was fascinating but lacking in a cohesive and professional layout. | A Humane and Surprising Queer History | Customer Rating: | | "Men Like That" takes us on journeys to places that have rarely been written about before--to sites of queer culture, to places in the heart and mind, to relationships that defy categorizing. Anyone--gay, straight, or otherwise--who has felt isolated because of their sexuality, and whose isolation was lessened by an unpredictable connection with someone else, will benefit from this well-written, well-researched, and fascinating book. Perhaps Howard's most important contribution to the history of queer life is the fact that he questions identity as the primary category for queer folk to attach to, and he makes that challenge with historical evidence, not ideological platitudes or post-modern LitSpeak. The deeply humane premise--that desire links us, one and all, to create connections with others and so to make communities that may not be mappable--asks readers to consider desire at once on its own terms, and as embedded in the curious and mundane stuff of daily life. The book aims most of all to contribute to a better understanding of the human condition, which is, in my view, a relief. | The first of its kind--and more can be done! | Customer Rating: | | This is, to my knowledge, the first widely-available book of its kind, and it's good. The aspects of it with which the reader may disagree or take issue simply underline the need for further work in this area, and when it's published the writer will have Howard to thank. |
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