Selected Product: | Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600 Illustrated Edition: 25th Author: Ingo F Walther, Norbert Wolf Publisher: Taschen Release Date: 2007-09-19 ISBN-10: 382284750X ISBN-13: 9783822847503 List Price: $29.99 Average Customer Rating: | | Understanding Illuminated Manuscripts: A Guide to Technical Terms (Looking At...) ISBN-10: 0892362170 ISBN-13: 9780892362172 List Price:$16.95 Books of Hours (Phaidon Miniature Editions) ISBN-10: 0714834645 ISBN-13: 9780714834641 List Price:$8.95 Cellarius Atlas (Harmonia Macrocosmica of 1660) ISBN-10: 3822852902 ISBN-13: 9783822852903 List Price:$150.00 A History of Illuminated Manuscript ISBN-10: 0714834521 ISBN-13: 9780714834528 List Price:$35.00 Medieval Illuminators and Their Methods of Work ISBN-10: 0300060734 ISBN-13: 9780300060737 List Price:$37.00 |
To use our price comparison to get the cheapest price, please click on the "Find the Cheapest Price" button located above for Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600 by Ingo F Walther, Norbert Wolf (ISBN-10: 382284750X, ISBN-13: 9783822847503). At this time we have not yet written a review for Masterpieces of Illumination: The World's Most Famous Manuscripts 400 To 1600 by Ingo F Walther, Norbert Wolf (ISBN-10: 382284750X, ISBN-13: 9783822847503). Please continue to keep checking back to this page as we are constantly adding reviews. Summaries and Customer Reviews are supplied by Amazon.com Famous Manuscripts - The fascinating world of medieval miniature painting and illumination The Best Available Overview of Illuminated Manuscripts | Customer Rating: | "Masterpieces of Illumination: The World's Most Beautiful Illuminated Manuscripts from 400 to 1600" is essentially a reprint of "Codices illustres: The World's Most Famous Illuminated Manuscripts 400 to 1600." The former is one of many 25th anniversary Taschen editions, and bears the series logo on its dust-jacket and bright green cover (rather than the classier illumination of the Limburg Brother's Anatomical Man that adorns the cover of the latter). "Masterpieces" is also slightly smaller (9 ¾" x 12 ½") than the original (10 ¼" x 13 ¼"). There are a few other slight differences between the two editions: different endpapers; white paper for the appendix in "Masterpieces," ivory in "Codices"; and slightly darker illustrations in Masterpieces (only noticeable if you actually compare the editions side by side). Otherwise the two editions are virtually identical. This is a truly wonderful book. It contains discussions and representative illuminations from 167 of the most famous and influential extant codices, books of hours, psalters, Bibles and histories from Europe and Asia (23 or the 167 are from Persia, turkey and India) during the 1200 years in which manuscript illumination flourished as an art form (and at the end of the text proper are samples from yet another 29 manuscripts). The full-color and often full-page illustrations are beautifully and accurately rendered, and the accompanying descriptions are both authoritative and unusually informative. The appendix contains artist biographies, along with a comprehensive bibliography, glossary, and index. In short, this is more than just a coffee-table book; in fact, I use it in my university course on manuscript illumination (along with Christopher De Hamel's excellent "A History of Illuminated Manuscripts," which forms the perfect companion piece to this volume.). At the current retail price ($29.95) this book is an absolute steal. If you only get one book on the subject of manuscript illumination, this should be the one! | unbelievably cheap - are we talking the same edition? | Customer Rating: | I agree with every word written in the previous reviews: this is a stunning work and one of my most prized possessions, ranging across manuscript illumination from the very earliest known through early to late Middle Ages and Renaissance, and geographically also ranging much more widely (i.e. outside Europe) than any work I've come across.
I paid £37 for it in the UK when it first came out ($75), and still thought it was an absolute bargain. So I am mystified why it is suddenly available (October 2007) at a fraction of the price: this must be being sold at a loss - or are Taschen simply offloading all unsold copies to Amazon? It might be worth Amazon specifying if this indeed the same as the original edition. You'll note that the cover picture is slighlty different from the one you get when you follow the link to the more expensive 'other editions' (even if the text content and reviews are identical). | A joy to hold and behold | Customer Rating: | | Illumination has fascinated me since I was a boy. This is the best book I have seen of illuminations. The scope includes books in Greek, Latin, Old Church Slavonic, Persian, and Mayan. The printing is superb. Detailed descriptions tell who did the work, who patronized it, who owned the book, where it is now, and so forth. Great for browsing for enjoyment and as a source of inspiration. I expect this book to be a favorite for many years to come. Anybody who enjoys calligraphy and illumination would be delighted to own this book. | One of the coolest books I own!! | Customer Rating: | | This book is worth every penny! It has fantastic HUGE pictures full of great detail. As an artist who specialises in ancient illuminated manuscripts, I value this book above all others in my personal library. So many great manuscripts are represented here. Truely high art! | A great book on medieval illumination | Customer Rating: | | This book deserves a seven stars score, as it is magnificent in every sense: Paper, Colour palette reproduction, basic and reliable information accompanying every depicted facsimil, and specially because of the scope of the compendium, involving manuscript examples from arabic countries as well as a XIII century mexican manuscript (The Borgia Codex currently held at the Biblioteca Vaticana) This collection shows (as rarely done by supossedly comprehensive treatises) that Mesoamerican, Chinese and Arabic cultures do also possess a very rich medieval heritage, characterised by a colourful tradition in art production. I strongly recommend this book for anyone interested in Medieval illumination, as well as for those modern illuminators concerned with applying only authentic medieval colours (mostly inorganic compounds) in their manuscript reproductions and finally, this book serves also as a comprehensive guide for visiting great libraries and museums all around the world where some of these manuscripts are exhibited (Do not forget to visit the Condé Museum and The Marmottan-Monet Museum in France). |
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