Selected Product: | Hiroshige, 100 Views of Edo Illustrated Edition: Mul Author: Melanie Trede, Lorenz Bichler Publisher: Taschen Release Date: 2008-01-27 ISBN-10: 3822848271 ISBN-13: 9783822848272 List Price: $150.00 Average Customer Rating: | | Michelangelo (XL Series) ISBN-10: 3822830550 ISBN-13: 9783822830550 List Price:$200.00 Japanese Prints (Taschen 25th Anniversary) ISBN-10: 3822835099 ISBN-13: 9783822835098 List Price:$14.99 Diego Rivera, The Complete Murals ISBN-10: 382284943X ISBN-13: 9783822849439 List Price:$200.00 The Sixty-Nine Stations of the Kisokaido ISBN-10: 0807615935 ISBN-13: 9780807615935 List Price:$80.00 Hokusai ISBN-10: 0714844578 ISBN-13: 9780714844572 List Price:$49.95 |
To use our price comparison to get the cheapest price, please click on the "Find the Cheapest Price" button located above for Hiroshige, 100 Views of Edo by Melanie Trede, Lorenz Bichler (ISBN-10: 3822848271, ISBN-13: 9783822848272). At this time we have not yet written a review for Hiroshige, 100 Views of Edo by Melanie Trede, Lorenz Bichler (ISBN-10: 3822848271, ISBN-13: 9783822848272). Please continue to keep checking back to this page as we are constantly adding reviews. Summaries and Customer Reviews are supplied by Amazon.com Hiroshige's Edo: Masterful ukiyo-e woodblock prints of Tokyo in the mid-19th century Literally meaning "pictures of the floating world", ukiyo-e refers to the famous Japanese woodblock print genre that originated in the 17th century and is practically synonymous with the Western world's visual characterization of Japan. Because they could be mass produced, ukiyo-e works were often used as designs for fans, New Year's greeting cards, single prints, and book illustrations, and traditionally they depicted city life, entertainment, beautiful women, kabuki actors, and landscapes. The influence of ukiyo-e in Europe and the USA, often referred to as Japonisme, can be seen in everything from impressionist painting to today's manga and anime illustration. This reprint is made from one of the finest complete original set of woodprints belonging to the Ota Memorial Museum of Art in Tokyo. Utagawa Hiroshige (1797-1858) was one of the last great artists in the ukiyo-e tradition. Though he captured a variety of subjects, his greatest talent was in creating landscapes of his native Edo (modern-day Tokyo) and his final masterpiece was a series known as "100 Famous Views of Edo" (1856-1858). This resplendent complete reprint pairs each of the 120 large-scale illustrations with a description, allowing readers to plunge themselves into Hiroshige's beautifully vibrant landscapes. A joy to hold and a joy to behold. | Customer Rating: | This is a stunning book. From the moment you feel its silk cover, undo the ivory-like closures, unwrap the book from its casing, I had the sense that this was something special and breathtaking. The detail and color of the prints are beautiful. You can see into the images that Hiroshige created right down to his technique.
Taschen produces books that are as brilliantly executed from a production point of view as the body of the book is brilliant from a content point of view. | Uncropped images | Customer Rating: | | Yes, there are cropped images at the start of this huge and beautiful book to add illustrations to the informative introduction, but the main body of this publication is made up of full size, uncropped excellent reproductions of all 118 of the "100 Views". I give it the full 5 stars for the Japanese style binding, single sided printing and silk effect covered portfolio slipcase... and it's uncropped reproductions. | Superb | Customer Rating: | | The new Hiroshige tome is wonderful. The colors are bright and the images are focused even including the wood grain from the original woodblock. I have a few of the original prints in my collection and am impressed with the quality of the "new" images. I liked it so much that I gave a copy to friends who also value the artist and genre. | Taschen should be ashamed | Customer Rating: | | This book has a nice and interesting manufacturing job with lots of very large pictures. However, the real essence of an art book is the pictures. The large images are all drastically cropped. Lost is the meaning given to the prints by their context and composition. In Asian Art the "empty" space is at least as important as the image. The editor of this volume seemed to think that the objective images are the essence. To magnify these he cropped. Bad taste! Being such a heavy book, this was expensive to return. I would be embarrassed to even have it on my book shelf. | 100 Reviews of Hiroshige | Customer Rating: | Hiroshige is a very well known Japanese artist who worked in the style called, ukiyo-e, wood block prints whose name translates as pictures of the floating world. Floating, fleeting, ephemeral world, the world of transitory pleasures. Just as cherry blossoms last but for a brief time, so are our lifes. Since they are gone so quickly, they must be cherished all the more while they are still here.
This series of 100 shows Edo, which is the city now known as Tokyo. There are lots of pictures that depict the man-made dwellings and buildings of a thriving metropolis, but also, in virtually every print, there is also the natural world. The juxtapostion of the man-made and natural is what fascinates Hiroshige in this collection, and what will also fascinate the viewer. Though Hokusai is a more prolific and iconic artist in this genre, Hiroshige has his fans. This reprint is made from one of the finest complete original set of woodprints belonging to the Ota Memorial Museum of Art in Tokyo.
Other items of interest:
Hiroshige's Journey in the 60-Odd Provinces (Famous Japanese Print Series)
The Sixty-Nine Stations of the Kisokaido
Hiroshige's Views of Mt. Fuji
Hiroshige
Hokusai and Hiroshige: Great Japanese Prints from the James A. Michener Collection, Honolulu Academy of Arts
Hokusai
Hokusai's Mount Fuji: The Complete Views in Color
Hokusai, First Manga Master
Utamaro and the Spectacle of Beauty
The Narrow Road to the Deep North and Other Travel Sketches (Penguin Classics)
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