Selected Product:
| Dynamic Figure Drawing (Practical Art Books)
Paperback
Edition: 1st
Author: Burne Hogarth
Publisher: Watson-Guptill
Release Date: 1996-08-01
ISBN-10: 0823015777
ISBN-13: 9780823015771
List Price: $21.95
Average Customer Rating:
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Dynamic Anatomy: Revised and Expanded Edition
ISBN-10: 0823015521
ISBN-13: 9780823015528
List Price:$24.95
Drawing the Human Head (Practical Art Books)
ISBN-10: 0823013766
ISBN-13: 9780823013760
List Price:$21.95
Dynamic Light and Shade (Practical Art Books)
ISBN-10: 0823015815
ISBN-13: 9780823015818
List Price:$21.95
Drawing Dynamic Hands (Practical Art Books)
ISBN-10: 0823013685
ISBN-13: 9780823013685
List Price:$21.95
Dynamic Wrinkles and Drapery: Solutions for Drawing the Clothed Figure (Practical Art Books)
ISBN-10: 0823015874
ISBN-13: 9780823015870
List Price:$23.95
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Summaries and Customer Reviews are supplied by Amazon.com
Figure drawing is the most essential - and the most difficult - of all the skills for the artist to learn. In this manual Burne Hogarth introduces his own system of figure drawing, which should make it possible to visualize and accurately render the forms of the human body from every conceivable point of view. First Hogarth describes the forms of the human figure. Then he demonstrates his "deep space" notion, a systematic sketching order that is the key to drawing the figure with believable interconnection of forms and control of foreshortening. By mastering this remarkable system, artists should be able to draw an amazing variety of poses, actions and gestures without a model, while maintaining the correct relationship between forms.
Highly recommended fort he artist
| Customer Rating: | | These books are so helpful in studying the human body in an exagerated way. Helps identify muscle groups and form. |
Very Effective
| Customer Rating: | This book and the series by Hogarth in general, are a class apart in teaching the figure.
In no other book I have seen the body masses so clearly and simply presented that with just one look you 'understand' the form and add it to your repertoire. Just like that.
One striking difference we notice is the three dimensional presentation of the drawings using probably charcoal or a very soft pencil, how else will we understand that form if its not rendered in three dimensions?! Yet so many books exist, even the ones from great such as Loomis, where you would see a more finished figure, where the contours take over, making the student wonder 'why is a line in front of the other?' etc. Hogarth aims as dispensing such doubts and to get rid of the guesswork from the minds of the artist.
He talks about 'inventing' the figure, and about a notation of representig the figure in deep space, meaning three dimesnions.
As the masters such as Vilppu would say, drawing is all about learning how to represent the form in two dimensional paper, and about knowing the form one wants to draw. We do get both in this book by Hogarth. more actually on the forms of the figure. more than half the book presents the figure, the varous parts, the torso, the limbs and the head in great detail using simple three dimensional forms. and the remainder of the book deals with how one would approach or rather go about drawing the figure.
An interesting approach here is to begin with the torso, and not with the head. torso, legs, arms and then comes the head, and surprise surprise, this is such an effective way of setting up the figure in the desired gesture. Vilppu would talk about a Ball and a box in a sock to study the torso. Bridgman would also talk in detail about these two forms, Hogarth lays down explicitly the order, and importance. This approach must be tried before understanding its effectiveness.
This is overall a great book for the figurative art student. I found it most effective, because every single picture in this book teaches me something that I can apply directly. The rendering of the forms make it so easy to understand them and cast to memory not only the form but its relations to the other forms in context as well as what happens when they twist and turn and go about doing whatever a figure would do.
This book stays right at the top along with Kimon Nicholaides and Glenn Vilppu and Bridgman.
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this is the one for anatomy action 'How To' of Hogarths to buy
| Customer Rating: | | This is the best one for action figures and How To draw them of all his other books. Recommended highly ONLY if you are willing to actually take the TIME to do the exercises in drawing he outlines in detail. You can copy his stuff and never learn HOW he thinks to see things in motion as he does. His 'effortless' drawings took dicipline to learn and I am still going thru it AGAIN now. I ordered these books in the 80's and admired them, but NEVER did the exercises. I just never made the TIME. Now I re-ordered the paperbacks (the hardbacks are in storage!) and actually am going step by tedious step and it is changing the way I SEE and draw. Worth it if you will actually DO what he says!!! Recommended highly! As a physician who is rehabbing a Iraq brain injury and probably headed back into Art-my 1st career- I cannot recommend this enough if you are SERIOUS about putting in the time/work to learn his techniques. |
Not an Anatomy Book
| Customer Rating:  | I have been learning anatomy for my drawing for a long time. I own quite a few anatomy books but I have been having trouble converting my knowledge of anatomy into drawing people. After buying this book it all changed.
You will not learn everything from this book, which I think is fair enough. I do not understand the attitude of people who think a book should include every detail of subject. It shouldn't. A book should set out to achieve a purpose and supply everything needed to achieve this purpose. Which is what this book does.
This book will teach you how to draw your figures in different, dynamic poses. It goes into foreshortening and overlapping of body parts and it breaks down each body part into shapes and outlines how the body parts flow into one another. There a wealth of examples that you can copy and experiment with.
There are two main problems with this book.
Firstly, there is not a lot of structure to it. It really could have used an editor or somebody to go through it and organize it a bit.
Secondly, the text is very academic and can be hard to understand. If you look at the accompanying pictures though you should be able to work it out.
You will still need to learn anatomy. Anatomy is a fundamental that all aspiring artist needs to learn and this book isn't a shortcut, but I found that this book was able to bridge a huge gap for me in my drawing. It is something I think I will use for the rest of my life. I only wish I had found it earlier. |
Heroic, Stunning!
| Customer Rating: | | Dynamic Figure Drawing by Burne Hogarth is an explosion of human motion. The text, like the drawings, is crisp and forthright. There are no unnecessary lines in Hogarth's sketches or his dialogue on how to create them. This is the book to give anyone, of any age, with, or without talent. The beauty of the illustrations almost eclipses their value as examples. The figures curl, cringe and almost seem to launch from their empty backgrounds. There are no distractions of composition, just the human body in motion, caught on paper. The static, frozen, two dimensional renderings of anatomy previously available to artists don't give a clue as to how the bones, muscles and tendons will flex with movement. Hogarth's work clearly and beautifully shows how to capture the human body in motion. If you love art, of any form, you will find endless enjoyment in this book. If you are an artist you will find it an invaluable anatomical reference. This is the book to give anyone interested in art, but in the hands of the very young, that person just forming their talent, it would be invaluable. |
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