For starters, the book is well-written and concise. For busy teachers (is that a tautology?) this means you will really read and really use it. It has all the elements that keep such readers engaged: practical classroom ideas, samples of student work, segmentation of topics into smaller components and, wide-ranging perspective.

Most importantly, however, the book has PASSION! Heard launches you with an introduction entitled "Poetry, Like Bread, Is for Everyone". She maintains this level of enthusiasm through to the last page, where she quotes Matthew Fox to the effect that "The Celtic peoples... insisted that only poets could be teachers... knowledge that is not passed through the heart is dangerous."

I agree - passion HAS TO BE the core of a poetry program in elementary or middle school. Amidst the wash of demand for reading and writing more expository material that standardized testing has brought to the writing class, passion and poetry have often slipped to the background. The poetry 'program' can become a quick trot through narrow 'tricksie' forms like name-poems and shape-poems. Kids need more. You do too.

Heard offers a wonderful suite of approaches to poetry 'centers' in a chapter on "Making a Poetry Environment." These include listening, illustration, performance and music centers as well as poetry windows, amazing language center and a handful more. The centers-based approach can be hard to manage unless properly prepared, but it is a wonderful way to build fluidity into a process that otherwise suffers from rigidity of task or schedule. This book will offer strong support for such an approach.

In the chapter discussing "Writing Poetry", Heard takes the metaphor of the door as entryway, suggesting, among others, the "observation door", the "concern about the world door" and the "wonder door." She then moves to the details of crafting of poetry with a "toolbox" metaphor and a nice collection of tools. In this as in the earlier instances, her pedagogical metaphors will serve your students but also serve to structure your planning and presentation of concepts. Heard concludes with a chapter about the observational element of the poet's craft - what she terms "sharpening outer and inner visions", and a number of useful appendices.

I'm certain this book will light-up your enthusiasm for a poetry-based classroom.