Selected Product:
| Action/Abstraction: Pollock, De Kooning, and American Art, 1940-1976 (Jewish Museum)
Hardcover
Publisher: Jewish Museum Under Auspices of the Jewish Th
Release Date: 2008-05-19
ISBN-10: 0300122152
ISBN-13: 9780300122152
List Price: $65.00
Average Customer Rating:
 | |
Giorgio Morandi 1890-1964: Nothing Is More Abstract Than Reality
ISBN-10: 8861307167
ISBN-13: 9788861307162
List Price:$65.00
Jasper Johns: Gray (Art Institute of Chicago)
ISBN-10: 0300119496
ISBN-13: 9780300119497
List Price:$65.00
Mark Rothko
ISBN-10: 8861302920
ISBN-13: 9788861302921
List Price:$75.00
Color as Field: American Painting, 1950-1975 (American Federation of the Arts)
ISBN-10: 0300120230
ISBN-13: 9780300120233
List Price:$45.00
Action Painting
ISBN-10: 3775721037
ISBN-13: 9783775721035
List Price:$75.00
|
To use our price comparison to get the cheapest price, please click on the "Find the Cheapest Price" button located above for Action/Abstraction: Pollock, De Kooning, and American Art, 1940-1976 (Jewish Museum) by 0 (ISBN-10: 0300122152, ISBN-13: 9780300122152).
At this time we have not yet written a review for Action/Abstraction: Pollock, De Kooning, and American Art, 1940-1976 (Jewish Museum) by 0 (ISBN-10: 0300122152, ISBN-13: 9780300122152). Please continue to keep checking back to this page as we are constantly adding reviews.
Summaries and Customer Reviews are supplied by Amazon.com
The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate?Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art - Clement Greenberg and Harold Rosenberg - whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger.
Didn't catch the exhibit?
| Customer Rating: | | Action/Abstraction was an incredible exhibit. It covered a familiar time period and well-known artists, but from a wonderfully new perspective. If you are interested in the history of art history, I highly suggest spending some time reviewing this catalog. |
Clement Greenberg or Harold Rosenberg? Who was right?
| Customer Rating: | This is a magnificent artbook enriched by breakthrough studies on the most important movement in post-war American art, namely Abstract Expressionism (and its offshoots like color-field painting). Based on the intellectual rivalry between the two most famous critics of the period, Clement Greenberg (the advocate of abstraction, who insisted on the importance of the work of art versus the creative process, abstract art being the only valid modern form of art) and Harold Rosenberg (who coined the expression "action painting" in a 1952 article in Artnews and to whom what counted was the act of creating, more than the end product) it enables the reader to discover some of the most canonical works of the movement, by De Kooning, Pollock, Newman and many others, lavishly illustrated.
The book accompanies an exhibition held at the Jewish Museum in NYC and is a trove of information and documents on the roots, the influences, the governing ideas, the artists' personalities and their reactions to the various opinions stated by Greenberg and Rosenberg on their art but also on the state of contemporary culture.
The reproductions of facsimile of letters are especially interesting, such as the ones Clyfford Still sent to Harold Rosenberg, first urging him to get into art criticism and then condemning him for doing so ("I am deeply disappointed" he ends up writing).
A landmark exhibition enlightened by this rich catalogue (a highlight is Irving Sandler's article on the convergences and divergences between Greenberg and Rosenberg)which I strongly recommend. |
|
