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Customer Reviews:Average Customer Rating: Captivating account I highly recommend this book to anyone interested in learning more about stolen antiquities. It reads like a thriller - it does have a lot of details, as others have mentioned, and the authors do become very indignant at times, but I believe this is because the book was published a few years ago, when museums still dragged their feet to send looted art back to Italy, and it was not yet clear in the media whether the Italians had a case or were just being annoying. Important, interesting subject, worth slogging through imperfect writing This book is fascinating and important reading for anyone interested in the intersections of the art world, commerce and crime. The Medici Conspiracy is not the most deftly written, and at times seems more like a very, very, very long newspaper story than a book. Yet in the end the sheer force of the information it compiles, with detail and comprehension of the larger picture, leads to confidence in its conclusion: It is impossible to build, in modern times, a great collection of quality antiquities without relying chiefly on, and feeding and sustaining, unlawful traffic in looted items. The archeological countries also are at fault: If you leave hugely valuable items in the ground, and don't invest in excavating them under secure, academically and legally sound conditions, it is inevitable that illicit looters will do it for you. Fascinating but a little information overload This book is a well written, well researched book about looted antiquities. I recommend it to anyone who is interested in the subject, or anyone interested in looted art in general. If I have any complaint, it is that the book at times gives too much information, which slows down the pace of the narrative as the author reveals how the investigation of Medici, Robert Hecht, Robin Symes, Marion True, and others came to pass. Great topic, well researched, choppy reading at times. I give this book a definite four stars because it is a worthy representation of the story and gives the account of what happened with great zeal. The topic itself is fascinating. In my opinion, various Federal Art/Cultural Property Crime units would be well served by making this book mandatory reading for their agents. It stands as a clear insight into the dark realm of unlawful antiquities excavation, illicit smuggling and clandestine sale- an increasingly important issue in our "global economy" world where buyers and sellers can come together across oceans with little effort, and without regard to laws that may govern certain antiquities transactions. Great Book Have been waiting for some time to read this book, and I really enjoyed it. Of course I like art-related mysteries and other stories anyway. I'll be looking for other titles by this author. | | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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