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Customer Reviews:Average Customer Rating: Very thick, very great way to approach art ed This book is by one of my professors at the college I go to. The book is very dense but has excellent theory behind it. It explains, in depth, why an art education is so essential developmentally for students - and it does this by talking about what art itself teaches. People often try to talk about why "art is important because it'll make people more creative in their english classes" or something similar - justifying it because the core subjects that are in the standardized tests may benefit from it. But this book speaks as to why an art education is important in and of itself, and what sorts of core objectives art teachers should have in mind when designing lessons and curriculum. I would recommend this book to any art educator. Guidance for Every Art Teacher Studio Thinking presents a clear image of what is necessary for building a "zone of proximal development" in an art classroom. The authors use information gleaned from actual observations and combine it with their knowledge of art education theory to provide a framework for excellent instruction and learning. It is easy to absorb and full of examples and anecdotes that engage the reader. This book has value for those just beginning the teaching journey, and the ones who have been engaged for a long time! Wonderful book I teach elementary art so this book is a bit above my students level (it focus' on high school classes) but much of their information and observations transfer to any age. This book is packed with information and is unique in that it observes real classrooms to understand and create theory - the opposite of the usual education theory. The missing link between teaching and practice This book is an aid not just for the teacher, but for the studio artist. As an educator, I benefit from its cogent analysis, but as a dedicated studio artist, I find the Eight Studio Habits of Mind the first tangible distillation of the process and thinking that happens in my studio. There are so many books about what artists do and how to access creativity. Hetland et al have shown that critical and creative thinking is not a matter of magic or divine inspiration, but rather the result of a mind set that can be used by students and artists alike. This book provides the connection between the teacher and the artist and the artist and her/his studio. Research grounded in reality Lois Hetlund and her colleagues have written an important book that grounds academic research firmly in the real world of schools. It is readable, accessable, and yet contains profound truths. Documenting and describing the sorts of thinking that can take place in high quality arts programs, the authors remind us of what a true education should contain, despite the teach-to-the-standardized-test momentum in many public schools. | | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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