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Customer Reviews:Average Customer Rating: Inspiration and Instruction Stanchfield's voice is so clear in his writing, you get the sense of his passion for the art, and his desire to teach and inspire the next generation of animators as if you were one of his students. His writing ranges the philosophical discussion of what it means to be an artist (animator) and it's place in society, to very specific instruction on what to draw and why. You should read this. Animators in any style should read this. Animation wisdom from a genius. This book is a real wonder of the animation art. Deep knowledge of how to bring our drawings & sketches to life. A must have/read/enjoy book for sure! Repetitive, yet Great! I really enjoy this book, I find it great for beginners. He bashes into your brain the need for gesture and exaggeration. I found it repetitive... and at times some pages were repeated. I like the repetition because he really tattoos on your brain gesture drawing. I had a hard time getting through the 2nd volume... so repetitive. I also enjoyed his spiritual approach, and really shows you that to draw, you must love it with all your being. Timeless tips, inspiration and advice for aspiring animators Drawn to Life, Volume 1 is an excellent book for aspiring animators and artists who want to improve their craft and take their work to the next level. Walt Stanchfield was an incredibly influential animator and instructor at Disney Animation. His conversational notes have been passed on from animator to animator for over 30 years. With this volume, artists the word over can now benefit from his wealth of knowledge. A Must-Have for All Artists This is not a step-by-step, How To Draw book. It's better than that. Every artist of every skill level can benefit from this book because it doesn't just teach you the How of art, but the WHY. It forces you to really think about why you draw, how you can communicate more effectively with your audience, and just what purpose your art projects have. Drawing is just as much a mental act as it is a physical act. In fact, the physical act of drawing depends completely on the artist's experiences and intention. Without any sort of introspection, an artist's work can fall flat and just look like a lifeless collection of lines. Why we move our pencils is just as important as how we move them. | | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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