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Customer Reviews:Average Customer Rating: A good introduction to the subject This is a good starting point for anyone with even a passing appreciation for architecture. In this fast read, Andrew Ballantyne tackles the subject in an interesting way. He addresses the social and psychological effects that architecture has on different "cultures", whether that culture is an entire ethnic group or three people with common beliefs. There is some technical and structural discussion, of course, but it is not the focus of this book. Rotten to the foundations. There is nothing wrong with introducing architecture from a sociological and cultural perspective, rather than the conventional approach of timelines, styles and schools. It's just that Ballantyne is not very good at it. Thus we have rambling, incoherent musings on what it means to be 'at home'. "Architecture is gesture made with buildings", the author assures us. Maybe so, but I would have appreciated a description of what those gestures were and how they evolved over time. Who built what, when, how and why? Instead we get constant reminders that it is all a matter of interpretation and perspective. An introduction to this subject should be a concrete foundation on which to build further knowledge. Ballantyne amuses himself with conceptual sandcastles and smiles knowingly as they get washed away by each new wave of speculation. Presenting architecture in a broad cultural context is a commendable aim, but to do it you need to have a firm grasp of that context. Informing the reader that philosophy is an 'idea' that was developed in Athens and 'Tragedy is farce in close-up' simply will not do. This is undergraduate essay stuff. Western architecture as fashion "Style" comes from the Greek word for column, as the author explains in the book. Which is just one of many fascinating facts contained inside this look at the the most expensive of fashion statements. It especially focuses on Western European architecture from about the Rennaissance on, when architecture as a profession began, although Classical and Gothic are covered because they are, after all, the models for all that followed. But it's no textbook chronology of well-known buildings. Instead it's an essay on society and its buildings, by someone knowledgeable enough to be able to toss in a new fact about all the familiar names. (Although his claim that the extra glass in the Reitveldt Schroder house required an industrial boiler that cost as much the house itself is a little hard to believe.) The writing is witty, full of good stories, and avoids the cliches often found in these books. Even manages references to recent movies, like Fight Club (the character's excessive brand consciousness) and Amelie (showcases the venerable Art Nouveau subway stations). somewhat interesting, perfect if you know nothing it serves its purpose very well. i skipped the second chapter because it didn't seem to interesting to me. but the other two chapters were good. i learned plenty from it. i got a few very good points from it, but it seems like the same major points were stated over and over again, but that's how i feel about everything educational i read. | | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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